Tiny toon adventures season 1 series#
Tiny toon adventures season 1 tv#

There are some great lines (вЂњWho are you, Ted Turner?вЂќ) and more prescience here, with obvious reasons why the later Baby Looney Tunes and Loonatics Unleashed really werenвЂ™t such great ideas. Like the Elves And The Shoemaker the bunnies act like showmakers, discarding their trashed status and building Tiny Toon Adventures around their вЂњadoringвЂќ personalities. With a much put upon animator about to lose his job if he canвЂ™t come up with a hot new show, Buster and Babs are created вЂ“ and tossed on the rubbish heap.

Tiny toon adventures season 1 tv#

We start out (highlighted episodes in bold) with The Looney Beginning, which is so good it could be released as a featurette on its own, with very healthy production values that, even if they donвЂ™t quite recall the shorts of the 1950s, easily better some of JonesвЂ™ later TV work in spirit. It was much more of an innocent time back then, when such caricatures and skits didnвЂ™t seem to need a committee and a copyright clearance as it was all done in good fun. In fact, Tiny Toons was a bit of a trendsetter in more ways than one: as well as quietly kick-starting the DTV craze with the Vacation movie, the show quickly became home to a variety of spoofs вЂ“ just the second episode is an elaborate Star Wars take off вЂ“ which the likes of Robot Chicken and Family Guy are only just now catching up with.

Tiny toon adventures season 1 series#

Apart from the schooling of the cartoon characters themselves, this was where the future big names of WBTV mixed with the veterans вЂ“ Paul Dini, Sherri Stoner, Tim Sarnoff, Bruce Timm, Art Vitello вЂ“ not to mention Bruce BroughtonвЂ™s Emmy award-winning title song and a host of recognisable voice artists (Charlie Adler, Tress MacNeille, Joe Alaskey, Don Messick, Kathy Souci, Frank Welker, Maurice LaMarche, Rob Paulson) would all bunch together and create the first landmark program in the StudioвЂ™s recent and acclaimed history, paving the way for the even crazier Animaniacs and Freakazoid and TimmвЂ™s superheroic series that continue to this day.ДЄs usual for a syndicated series, Tiny Toons had an initial 65-half hours originally created, meaning that with 35 shows in this set, we should have Season One completed in a second collection, and the series proper finished up by a third volume, hopefully with the couple of specials and the superlative direct-to-video feature How I Spent My Vacation as extras. When the show originally aired, the Spielberg name meant it did so with a huge amount of fanfare, and the importance of Tiny Toons to the future of Warner Bros. While these guys are little more than younger or alternate versions of their more esteemed predecessors, Tiny Toons is no Baby Looney Tunes вЂ“ the clever spin on the show is that the original gang turn up on occasion to teach their younger counterparts the tricks of the cartoon trade at Acme Looniversity. Apart from mice, rabbits work just as well in animation, and thus Bugs is split into two bunnies: the boisterous Buster, and girly Babs (вЂњwelcome to the nineties!вЂќ) вЂ“ no relation вЂ“ while Daffy becomes Plucky, Porky is Hamton (geddit?) and so on. The young team in charge of these projects had the enthusiasm and knowledge of tradition to infuse the cartoons with the kind of reckless abandon the WarnersвЂ™ shorts were famously known for, but the unit was otherwise stuck without the product being able to go out and make some waves.ДЇor whatever reasons, though my guess is that either Warners and the team desperately wanted to move on from Looney Tunes or that Spielberg wanted a copyright-owning stake in the project, a new set of characters was devised, still based around the Looney Tunes of old, but with slightly updated personalities aimed at a younger audience.

The Warners animation unit had simply kept ticking over since the 1970s after a set of newly-produced Chuck Jones specials featuring Bugs and the gang, a long series of patched together television specials and a bunch of compilation feature films, and by the late 1980s were still trying to crank out new Looney Tunes cartoon shorts that the head office really didnвЂ™t seem to try and promote much. about securing their famed Looney Tunes stable as a replacement.

Eventually, the deal between the Mouse House and Spielberg cooled off, and after just three shorts, RogerвЂ™s screen career seemed to have fizzled out, but not before Spielberg had approached Warner Bros. Executive Producer Steven Spielberg had wanted to continue the Roger Rabbit effect on television, but the budgets involved in maintaining the quality level as well as DisneyвЂ™s aim to keep the rabbit appearing in theatrical shorts and a feature sequel put off RogerвЂ™s transition to the small screen (in a series planned as Adventures In ToonTown).

ItвЂ™s vaguely strange to recall the effect Tiny Toon Adventures had on audiences when it premiered in 1990.